There is an exercise I use with my students early on in the semester. It is a way for me to show them proof that they have a unique voice and that they look at things differently than everyone else around them. For this exercise, I use the blackout poetry form. I cut out an article from the newspaper and copy it. I hand out the exact same article to all the students in the class. I show them examples of blackout poetry, and then I ask them to create their own poem using the article I gave them. Afterward, I have each student read what they came up with. I have not had any students come up with the same poem. I use this as a concrete example of their own unique perspective and voice. They were all looking at the same set of words, but each of them saw those words differently. What spoke to one student did not speak to another. This is important when teaching them how to write a research paper because oftentimes they believe they have nothing to add to the conversation that already exists on their chosen topic. It is also an important reminder to them and to me that we are unique, each one of us, that we look at things from a unique perspective, and that is why we should never be fearful of voicing our perspective to others and listening to their perspective as well. We all see things differently and we should embrace that difference and let it motivate us to overcome our fear of sharing our voice with others.
After a long hiatus, I returned to my first love – creative writing – last September. This led to the publication of the essay The Life Inside Me in October, and then the essay Invisible in December. During this time, I also managed over 56,000 words of a new novel for #NaNoWriMo2016 in November (my first win). Then, as commonly occurs when you return to that thing that calls to your soul, all hell broke loose, and my life as I knew it imploded. Since then, I have slowly, painstakingly clawed my way back to a regular writing practice and just today started rewriting the #NaNoWriMo novel tentatively titled The Waiting Place.
Along the way, I came across a podcast that gave me the extra fuel I needed to complete the journey back to writing – Yoga Church. One particular episode really spoke to me and lit me up: Episode 36: Honoring Voice where Meadow DeVor and Pixie Lighthorse discuss reconnecting and honoring your inner voice. I have had an incredibly difficult time hearing my inner voice, and even when I did, I have had an even harder time trusting what I heard and following through with its guidance. Enter Pixie Lighthorse’s newest book: Prayers of Honoring Voice. This book contains prayers that assist the reader in asking for divine help with honoring that inner voice in all that he or she does. I am not a person who believes that there is an old man somewhere up in the sky that selectively hands out blessings or punishments. In fact, I completely reject the idea that such a deity exists, so I’m often hesitant to turn to anything that has the word “prayer” in the title (or “church” for that matter). I believe in a protective, loving, forgiving, encouraging, and compassionate energy that flows through everything that we do should we choose to invite it to do so. That is exactly what Pixie Lighthorse’s prayers do (as does the Yoga Church podcast). They’ve hit on every aspect of insecurity and fear that I have about putting words on the page and sharing them with others – especially the hardest part for me: getting started. A particular favorite prayer of mine is “Honoring Creation” which is located in the South section of the book. As she mentions in the “How to Use this Book” section, “Each section of prayers is aligned with the teachings of the Four Directions” which are aligned with the four seasons and four elements – for example, the first section is: “East, Season: Spring, Element: Air”. If you would like a more in-depth description of Prayers of Honoring Voice, you can read Lighthorse’s excellent description here. The really great news is that the book is available under Kindle Unlimited, so if you are a subscriber, you can read it for free. However, this is one book that I want in hard copy to have right next to me while I write. I want to be able to flip through its pages whenever I need to. It is a book I know I can turn to when the fear of what I have to say, of what I need to say, takes over, and I start to shut down. I hope that it will do the same for you. These prayers are now a part of my daily writing routine, and I use them as a starting off point, as an invocation and invitation to the muse and as a reminder that I don’t have to go on this writing journey all alone.